Fanny Henselsaal
Thursday, 04th of August 2022
| 09.30 to 13.00 | Cluster „The Vocal Oevre of Exil Composers“ – Gerold Gruber |
| 09.30 to 10.00 | Thomas Hampson discusses his commitment and experience with composers banned by the Nazis |
| 10.05 to 10.20 | The Songoutput of the Austro-American Composer Erich Zeisl – Katharina Rössner |
| 10.25 to 10.40 | Text-Music Relationships in Selected Lieder of Erich Wolfgang Korngold – Diane Burt |
| 10.45 to 11.00 | Condemned Cosmopolitanism in Russian Art Song – Katherine Petersen |
| 11.05 to 11.35 | Wilhelm Grosz – A Song in Exile Bainac, Josipa - Hausknecht, David |
| 11.40 to 11.55 | Exiled Composer Egon Lustgarten: Spirituality and tikkun olam in His Post-Emigration Music – Alexa Rodda |
| 12.00 to 12.15 | Walter Bricht – The Man and His Songs – Kate Johnson |
| 12.20 to 12.35 | Life and Vocal Works by Robert Fürstenthal – Kelly Riordon |
| 12.40 to 13.00 | Faded Voices - Forgotten Songs. Ways to approach unknown repertoire - Judith Kopecky |
| 15.00 to 17.00 | Topic COMPOSERS |
| 15.00 to 15.30 | Lecture Recital: The Lieder and Arias of Heinrich Marscher (1795-1861); Jeffrey Williams - Jennifer McGuire |
| 15.30 to 16.00 | Early Frost by Richard Auldon Clark with the Manhattan Contemporary Chamber Ensemble - Alissa Rose |
| 16.30 to 17.00 | Souvenance: Mélodies of César Franck - Amy Pfrimmer |
Friday, the 05th of August
| 09.30 to 13.00 | Cluster „Female Composers from the 19th Century“ – Annegret Huber |
| 09.30 to 10.15 | Locating – Advocating Rannveig Braga-Postl (singer) Thérèse Lindquist (pianist – accompanist) Susanne Wosnitzka (musicologist), interviewed by Annegret Huber |
| 10.15 to 10.45 | Salon Savvy: The Chamber Operas of Pauline Viardot as a Vehicle for Performance and Pedagogy - Lydia Bechtel |
| 10.45 to 11.30 | The Voice teacher’s role in visibilizing 19th Century Art Song by Women Composers Helen Tintes-Schuermann Anna Tonna Chanda VanderHart |
| 11.30 to 11.50 | „Könnt ich zu den Wäldern flüchten“. Song Cycles of Fanny Hensel and Ingeborg von Bronsart Catherine Compton (soprano) Allan Armstrong (piano) |
| 12:00 to 12.45 | Didactics – Dissemination Catherine Compton (author of “19th-century Lieder by Women Composers: A Pedagogical Anthology for Young Singers“) Johannes Geppert (mdw’s project leader “Compendium of vocal literature by women composers”) N.N. (representative of publishing house Furore Verlag Kassel) |
| 15.00 to 18.30 | Topic GLOBAL |
| 15.00 to 15.30 | Intercultural Dialogue: Giving a Voice to Indigenous People – Christian Bester |
| 15.30 to 16.00 | Black American Music Voice Pedagogy: What Voice Teachers Should Know – Trineice Robinson-Martin |
| 16.00 to 16.45 | Brazilian CCM Music -Theory and practice – Joana Mariz |
| 16.45 to 17.15 | American Operetta – Alta Boover Dantzler |
| 17.15 to 18.15 | Master class of Iberian and Latin American art song repertoire - Patricia Caicedo |
Saturday, the 06th of August
| 09.30 to 13.00 | Topic GLOBAL |
| 09.30 to 10.00 | The Sounds of Brazilian Portuguese and the Main Pitfalls for Non-native Singers – Juliana Franco |
| 10.00 to 10.30 | Easy Breezy Russian Diction – Jeanette Fontaine; Roza Tulyaganova |
| 10.30 to 11.15 | Beyond Bossa Nova: The Hybrid Singer in South-American Vocal Styles – Luciano Simões Silva |
| 11.15 to 11.45 | Music as Therapy: The Case for Cross-Cultural Understanding and Collaboration – Meegan Hussain |